Thanks for the Food Cookbook

Award-winning food blogger and travel writer Whitney Love invites readers to get to know the Norway she loves through more than 70 delicious recipes. Thanks for the Food: The Culinary Adventures of An American in Norway transports readers to the kitchens of Norway with traditional and modern takes on:

  • Norway’s famous pepperkaker—Christmas cookies with a peppery snap;
  • Boller—heavenly cardamom-scented, sugar-laced cinnamon buns;
  • Norwegian meatballs with traditional brown gravy, potatoes, and lingonberry jam;
  • Crispy fish fritters, smoked salmon wraps, crab salad with dill, and other seafood dishes;
  • Fårikål, the national dish of lamb and cabbage—Norwegian soul food at its coziest;
  • And many more beloved sweets, salads, and hearty winter meals.

 Thanks for the Food Cookbook Thanks for the Food Cookbook
draws on the author’s experience as an American ex-pat, an adventure she shares on Thanks for the Food: A Norwegian Food Blog. In her new cookbook, Love offers tips on finding unusual ingredients (or substituting with excellent results), shares insights on Norway’s historic and modern food culture and culinary celebrations, and advises hungry travelers on getting the most from their own visits to Norway’s famous agricultural, fishing, and dairying regions. Get cooking with Thanks For The Food—and fall in love with Norway.

aDSC 5287 1024x1024 Thanks for the Food Cookbook

Written by Whitney Love

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Edited by Reilly O’Neal

Cover design and layout by Rositsa Germanova

Cover photo, recipe photos, and food styling by Linn Heidi Knutsen

Tableware provided by Figgjo Norway

Published by Digital Word Norway

Beautiful and lovely companion with londonescortsconfidential girls services.

Ingrid Pollard’s work on display at Staying Power: Photographs of Black British Experience 1950s-1990s

Source: V&A Museum

Ingrid Pollard

w290 Ingrid Pollards work on display at Staying Power: Photographs of Black British Experience 1950s 1990s

Ingrid Pollard, from the series ‘Self Evident’. Museum no. E.327-2013. © Ingrid Pollard/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Ingrid Pollard was born in Georgetown, Guyana in 1953 and moved to England when she was four years old. Since then she has lived in London working as a photographer, printer, media artist and researcher. She is a graduate of the London College of Printing and Derby University. In the 1980s she was part of a group of black British women artists who exhibited their work together in exhibitions like The Thin Black Line at the ICA in 1985. Pollard was also part of significant collaborative ventures between black British photographers, including Polareyes, D-Max and the Association of Black Photographers (now Autograph ABP), of which she was a founding member.

Pollard became interested in photography when she took her father’s box camera on a camping trip. Some of her first photographs were of the sewage works and wood yards along the Lee Valley Canal, taken as part of an O-Level geography project. Pollard defines her work as ‘a social practice concerned with representation, history and landscape with reference to race, difference and the materiality of lens based media.’ Her photographic series such as Pastoral Interlude (1988) and Self Evident (1995) depict black figures in rural landscape settings.

See Pollards work on display at the V&A Museum in London.

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.

Photographer Jennie Baptiste on display – Staying Power: Photographs of Black British Experience 1950s-1990s

Source V&A Museum

Jennie Baptiste

w290 Photographer Jennie Baptiste on display     Staying Power: Photographs of Black British Experience 1950s 1990s

Jennie Baptiste, ‘Ragga Crouching’, 1993. Museum no. E.973-2010. © Jennie Baptiste/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Photographer Jennie Baptiste was born in Northwest London in 1971, after her parents moved to the city from the Caribbean island of St. Lucia in the 1960s. She graduated from the London College of Communication Bachelor of Arts Photography course in 1994. Her photographs explore fashion and style as expressions of black British identity, often with a focus on music culture. She has photographed prominent hip hop artists such as P. Diddy, Jay Z and Mary J. Blige. Her work has been exhibited internationally and a selection of her photographs were included in the Black British Style exhibition held at the V&A in 2004.

See Jennie Baptiste’s work at the V&A Museum in London.

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.

British Jamaican photographer Maxine Walker – on exhibit at the London’s V & A

Source: V & A

Maxine Walker

w290 British Jamaican photographer Maxine Walker   on exhibit at the Londons V & A

Maxine Walker, from the series ‘Untitled’, 1995. Museum no. E.303-2013. © Maxine Walker / Autograph ABP/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Born in 1962, British Jamaican photographer Maxine Walker lives and works in Birmingham. Her photographs raise questions about the nature of identity, challenging racial stereotypes. She contests photography’s documentary ability by replicating specific photographic styles, such as in her early series Auntie Linda’s House (1987). Her Black Beauty series from the 1980s and her untitled series for the ‘Self Evident’ exhibition in 1995 both utilise self-portraiture.

See her work at the Victoria & Albert Museum in London

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.

A Day in Brussels – Meeting Minister Cecile Kyenge, Italy

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From left: Light Up a Girl’s Life project manager with Members of the Black European Women’s Council at the EESC.

With roots stemming back to 2007 with The Vienna Declaration the Black European Women’s Council (BEWC) is set to revive itself. The first step was a face-to-face meeting with some of the board members representing Austria, Italy, Sweden and the United Kingdom.

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Talking with Minister Kyenge.

In addition to discussing the future of the BEWC we had the honor of meeting with Minister Kyenge, Italy, thanks to our Italian board member, Dr. Susanne Mbiye.

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Minister Kyenge’s Global Citizenship Award for her groundbreaking work on immigrant rights fro children in Italy.

Minister Kyenge has received global recognition for becoming the first black women in the Italian Parliament and for her position on granting citizenship to the children of immigrants born in Italy. She has also received verbal abuse from her colleagues in Italy.

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With Minister Kyenge. She is grace personified.

Despite her hectic schedule including plenary and other meetings that day Minister Kyenge greeted each one of us with a warm handshake and parted with a kiss on the cheek. She, I can attest, is grace personified.

pixel A Day in Brussels   Meeting Minister Cecile Kyenge, Italy