Fountainhead Tanz Theatre November 2015 e-Letter

e – Letter

November 2015 . Berlin.Germany

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Anniversary 2015

Fountainhead® Tanz Théâtre, 35 years
Black International Cinema Berlin, 30th edition
Black International Cinema Berlin Film Awards, 25 years
THE COLLEGIUM – Forum & Television Program Berlin, 20 years
“Footprints in the Sand?” Exhibition, 15 years
Cultural Zephyr e.V., 25 years

Film Evening & Discussion | November 25 | 2015 | 6-10 pm
Familienplanungszentrum BALANCE | Mauritius-Kirch-Str. 3 | 10365 Berlin-Lichtenberg

THE COLLEGIUM – Forum & Television Program Berlin:
@ Alex – Offener Kanal Berlin

XXXI. 2016 Black International Cinema Berlin

Prof. Dr. Amanda Klekowski von Koppenfels commends the work of
Fountainhead® Tanz Théâtre…

Europe’s finest festivals honored with EFFE Label 2015-2016

Alternativer Medienpreis 2015 / Alternative Media Award 2015

THE COLLEGIUM – Forum & Television Program Berlin
THE COLLEGIUM Archive on YouTube please click >here<

Fountainhead Tanz Théâtre/Black International Cinema Berlin/
THE COLLEGIUM – Forum & Television Program Berlin/
“Footprints in the Sand?” Exhibition/Cultural Zephyr e.V.

Fountainhead® Tanz Théâtre Mission Statement

What is the formula to partial and/or eventual success?
Or, is success in this matter even achievable?

Was ist die Formel, die zu Teil- und/oder Langzeiterfolg führt?
Oder, ist Erfolg in dieser Angelegenheit überhaupt erreichbar?

Film Evening & Discussion | Filmabend & Diskussion

November 25, 2015
6-10 pm | 18-22 Uhr
Familienplanungszentrum BALANCE
Mauritius-Kirch-Straße 3
10365 Berlin-Lichtenberg

Admission is free of charge. | Der Eintritt ist frei.
Program in English and German | Programm auf Englisch und Deutsch

Third Annual WZB Conference on Migration and Diversity

National Identity in Motion

The conference aims to discuss national identity at different levels, for example how individuals of immigrant and non-immigrant background negotiate and express national identity (e.g., in implicit and explicit attitudes or behaviors), how national identity is reproduced by public institutions such as schools, how states define national identity through their constitutions and laws or what measures and policies governments take to foster certain forms of national identity.

Through taking a closer look at these phenomena we want to understand if and how national identity content changes and is negotiated within and between individuals or institutions and if and why the concept still matters.

Conference Programme

Registration – Please register until 21.08.2015

: Ines Michalowski, Ruth Ditlmann
Monday, 31. August 2015Tuesday, 01. September 2015
Start: 8:45 am
: WZB, Reichpietschufer 50, 10785 Berlin, Raum A 300
The WZB Berlin Social Science Center conducts basic research with a focus on problems of modern societies in a globalized world. The research is theory-based, problem-oriented, often long-term and mostly based on international comparisons.

Dr. Maike M. Burda
fon: +49 30 030-25491-450

Polyglot is a new scripted web series from Rwandan-German visual artist and self-taught filmmaker Amelia Umuhire

Hat tip: Babz Rawls


Polyglot is a new scripted web series from Rwandan-German visual artist and self-taught filmmaker Amelia Umuhire that explores the multi-hyphenate identities of young creatives of color in Berlin. The show’s first episode, which premiered in April, introduced viewers to Babiche Papaya, a rapper and poet played by Umuhire’s sister, Amanda Mukasonga. Titled “The Bewerbungsgespräch” (“The Interview”), the five minute clip follows Papaya as she tries to find a home among other international Berliners.

With its intimate fly-on-the-wall cinematography, Umuhire plans for future episodes of the web series to focus on a rotating cast of young polyglots navigating daily life in the German capital. The show’s recently-uploaded second episode, “Les Mals du Pays,” returns to Babiche’s world as she deals with the malaise of homesickness and the frustrations of maintaining a natural hair care routine. “If I were in a TV show, normally as me a black woman, I wouldn’t get to be this real, as this 3D, as deep as a character, you know,” Mukasonga told NPR Berlin of her role in the series.

Read the full story on okayafricacom.

Afroeuropeans: Black Cultures and Identities in Europe V Conference in Münster


The English Seminar and the Chair of English, Postcolonial and Media Studies are proud to host the fifth African European Studies conference, which is being held in Münster for the first time (16-19 September 2015).  An interdisciplinary conference with papers covering literature, history, music, theatre, art, translation, politics, immigration, youth culture and European policies, Afroeuropeans V brings together scholars, critics, activists and artists to debate and discuss these issues. With contributions envisaged from across Europe, Africa and Asia, and the Americas, the conference will enhance the field of African European Studies as well as lead the way towards a new awareness of the essential contributions of Europe’s black populations in all fields.

Call for papers and panels

African European Studies explore social spaces and cultural practices that are characterised by a series of contemporary and historical overlaps between Africa and Europe. This fifth biennial conference aims to provide perspectives on specific strands of this diverse and vibrant field, including both established and emerging research areas of a trans- and multidisciplinary nature. Recognising that African European Studies cannot be confined to textual representations, we encourage submissions on a wide range of topics from several disciplinary backgrounds. This encompasses disciplines dealing with various forms of cultural representation (incl. literature, the visual arts, museums, music, new media, and performance) and those dealing with social practice (religious studies, sports, history, anthropology, sociology, politics, marketing, and management studies). In addition to academics, artists, and activists, we welcome authors, social workers, journalists, and anyone else with a specific interest in the field. We encourage submissions exploring the topics suggested below, including their cross-generic and transmedial aspects:

o Racism(s) and austerity: comparative approaches across Europe
o Colonial remains and historical interaction between Africa and Europe
o Comparative diaspora studies: African Caribbeans, African Europeans, African Americans
o Resistance and resistive practices
o Growing up African European: e.g. youth culture; adoption; children’s literature
o Education: Primary, secondary, tertiary
o African European book studies: translation, publication, reception
o Digital displacement and virtual communities
o ‘Remember the ship in citizenship’ (John Agard): visions and crises of multicultures
o Border control: refugees, migrants, visitors
o Faith and religious practice: basis for stigmatization and community formation
o Gender and queer lifestyles: activism and marginalization
o Behind the headlines: health, development, aid
o Black European urban and rural spaces

Submissions that do not directly deal with the aforementioned topics will also be considered. Presentations are not restricted to written academic texts; they can also include performances, readings, panel discussions, and workshops. Individual contributions should extend to no more than twenty minutes and can be held in English, Spanish, French, or German. We require an abstract of 300 words in English.

Abstracts for ‘Afroeuropeans V’ can be submitted no later than 8 March 2015. Complete paper sessions comprising three papers and other formats, such as roundtables, are also welcome. The academic committee will reply to all submissions no later than 15 April 2015. A full programme is going to be published by 31 July 2015. A selection of papers will be published after the conference.

‘Afroeuropeans: Black Cultures and Identities in Europe’ is an international research and development
group funded by the Spanish Ministry of Science and Innovation. The group is holding its fifth
international conference, this time at the University of Münster, Germany: <>.
Contact: Professor Mark Stein

Akila Richards and Ink On My Lips

Akila Richards

Akila Richards is a writer and spoken word artist of German and Liberian ancestry. Akila immigrated to the UK in 1984 and performed in theatre, collaboratively and solo in the UK.

Akila has been published in three anthologies with her short story ‘Eleven Years’ by Penguin in The Map Of Me in 2008, her poem ‘Red Saviour’ in RED by Peepal Tree in 2010 and in Ink On My Lips in 2013.

She works professionally in the creative and cultural sector.

Black Women Bloggers – Germany 11 – Frolicious


Frolicious is a multicultural online blog and was founded in 2013 by Jen Martens. It is dedicated to promote a cross-section of various information involving the African urban lifestyle. The intention is to share inspirations, pictures about our incredible diversity and beauty throughout the African Diaspora. Furthermore, would like to create a versatile and positive image by showcasing the fashion and entertainment industry with African influences and Frolicious beauties from all over the world.

We would like to spread the self-love with our blog and to empower other Frolicious sisters and brothers to feel the same. Frolicious Beauty comes in all shades.

Our philosophy is: “Be Frolicious – Be You”.

Frolicious was birthed in 2013 with the focus on bringing fashion professionals, students, blogger, vloggers, magazines, retailers and all those who are interested in African Urban Lifestyle together.

Meet Jen Martens (Founder)

 I am a state certified business economist and founder of Frolicious. I am blogging since July 2013 and I have not been offline since then 🙂

I am of Ghanaian descent and based in Hamburg (Germany). Besides my blog I also work as a social media consultant for companies who are creating products or fashion for people of colour. Furthermore, I host a TV show called Africa Outlook which features news, entertainment, and fashion topics focused on the African Diaspora residing in Germany.

My favourite things to do are cooking, chilling with friends, reading and doing yoga.

My aim is to focus on creating an awareness that promotes the full supply chain of the African versatility whether it is about fashion, music or beauty. According to the African Heritage Magazin May/2014 I belong to the 100 most influential Africans in Germany 2014.


Frantz Fanon: Concerning the Psychoanalysis and Cosmopolitanism of Violence

18th March 2015, 1pm to 7pm

University of Warwick (A0.28, Millburn House)


Frantz Fanon, the son of Martinique who first fought for colonial France in World War Two and then against colonial France in Algeria, is taken as the preeminent thinker of decolonization. Although Fanon died in 1961, his work and life still stir debate and discussion today about the lived reality of racism and the nature of violence and revolution in the post-colonial world. This one-day symposium and screening of Göran Hugo Olsson’s documentary Concerning Violence is designed to engender critical and collaborative engagement between researchers, students, practitioners, and activists with an interest in Fanon’s work and its contemporary connotations. This symposium seeks to establish dialogue between different disciplinary perspectives, such as psychoanalysis, postcolonial theory, and histories of globalization, on Fanon’s two major texts Black Skin, White Masks (1952), and The Wretched of the Earth (1961) and his lesser known works such as the essays contained within A Dying Colonialism (1959) and Towards the African Revolution (1964).

Paper Presentations from:

Dr. Robbie Shilliam (Queen Mary, University London)

Dr. Sheldon George (Simmons College, US)

Professor Kimberly Hutchings (Queen Mary, University London)

Chair: Dr. Julie Walsh (Warwick University)

Film screening introduced by Mireille Fanon Mendes-France:

Göran Hugo Olsson’s documentary Concerning Violence (2014).

Roundtable Discussion

Mireille Fanon Mendes-France (Frantz Fanon Foundation)

Professor Gurminder Bhambra (Warwick University)

Dr. Sheldon George (Simmons College, US)

Dr. Kehinde Andrews (Birmingham City University)

Dr. Peter Nevins (the Site for Contemporary Psychoanalysis)

Chair: Dr. John Narayan (Warwick University)

It is not necessary to register for this event, but to help us get a sense of likely numbers we’d be grateful if you could email one of the organisers if you are planning to attend (either or ).