Michelle Obama in London update for non-US residents

Amendment to the rule on non-US guests: At all price levels they are able to attend if the contributions have come from the account of US passport holders. As admission to all events will be determined by the confirmation of payment email printout, the recommendation is that you and your guests arrive together or that you send a copy of said receipt to each guest. Their names will have already had to have been registered and, for security purposes, they should bring a picture ID.

Also, after making your contribution, please check your Spam Folder if you haven’t received your confirmation as all contributions will be confirmed via email without fail.

As a reminder, the link to the $2300 and $1000 reception is:
https://donate.barackobama.com/page/contribute/london1015

And the link to the $100 event is:
https://donate.barackobama.com/page/contribute/MO1015

A word of advice in relation to the $100 event: for venue and security reasons this is going to have to be kept at c.200 attendees. Notification will be going out today via Democrats Abroad UK and are expecting places to be taken up quickly.

Sites of Memory – 200th Anniversary of the Abolition of the Transatlantic Slave Trade

Bicentenary of the Abolition of the Transatlantic Slave Trade
Portrait of Dido Elizabeth Belle (left) and Lady Elizabeth Murray. From the collection of the Earl of Mansfield, Scone Palace, Perth.

The English Heritage Organization has put together a tour in England related to the abolition of the slave trade.

When the stories behind our local streets and landmarks are told they can give us a glimpse into the history on our doorstep. The late 16th to early 19th centuries – the period of Britain’s most active involvement in the transatlantic slave trade – have left a wealth of evidence in records and the historic environment that today tells the story of anti-slavery campaigners from all backgrounds, of those who grew wealthy on the trade in human lives and also of those who were themselves slaves in England but nevertheless left their mark on history.”

So far you can choose from The Slave Trade and Plantation Wealth, Black Lives in England, and Abolitionists.

Note: All the sites identified in this guide can be seen from public spaces, though not all are open to the public. Contact details are given where possible. Please check access details before visiting.

Find out more here.

While you’re in London – Inhuman Traffic: The Business of the Slave Trade (more on the 200th Anniversary of the Abolition of the Slave Trade)


This small exhibition explores how the Transatlantic Slave Trade functioned.

It covers more than 500 years, including the Parliamentary Abolition of the Slave Trade in 1807.

It features resistance leaders including Toussaint l’Ouverture, Olaudah Equiano and Nanny of the Maroons, and their continuing legacy of the struggle to end enslavement.

Admission free
Until 6 April 2008
Room 69a at the British Museum

La Bouche Du Roi


Image: La Bouche du Roi, by Romuald Hazoum??

La Bouche du Roi was created between 1997 and 2005 by Romuald Hazoum??, an artist from the Republic of Benin, West Africa. Literally translated as ???The Mouth of the King???, the title refers to a place in B??nin from where many thousands of slaves were transported to the Americas and the Caribbean.

However, La Bouche du Roi is primarily a warning against all kinds of human greed, exploitation and enslavement, both historical and contemporary. A profound and thought-provoking artistic statement by artist Romuald Hazoum??, it is made from a combination of materials, including petrol cans, spices, and audio and visual elements, the artwork???s arrangement recalls the famous 18th-century print of the slave ship, the Brookes, which was used to great effect by Abolitionists.

A recitation of Yoruba, Mahi and W??m?? names, the terrible sounds and smells of a slave ship, and a video of black market petrol-runners in modern Benin are other elements which combine to make La Bouche du Roi a truly remarkable and thought-provoking work of art in which the connections between past, present and future are made profoundly real.

Bristol???s City Museum
15 September ??? 28 October 2007

Laing Art Gallery, Newcastle
10 November ??? 3 February 2008

Horniman Museum
5 December 2008 ??? 1 March 2009

Slavery: Resistance amid the horror By Jane Perlez Published: August 23, 2007


Exhibits at the new International Slavery Museum in Liverpool span the sufferings endured by slaves to the achievements realized by people of African heritage worldwide. (Jonathan Player for The New York Times)

LIVERPOOL: The riverside docks here, now a gentrified quarter, were a critical pivot in the trans-Atlantic slave trade when this city rose from seedy port to rich entrep??t in the 17th century.

From Liverpool, traders sailed forth with guns and metals to sell in Africa, and from the proceeds bought slaves for the flourishing markets in the Americas. After the merchants sold their human cargo, their ships returned home brimming with sugar, cotton, coffee and tobacco.

To commemorate and, more important, elucidate this dark passage of the city’s past, the International Slavery Museum opened here Thursday, part of a series of events across Britain on the bicentenary of the 1807 British law that banned the slave trade.

The windows at this compact museum’s entrance, on the third floor of a refurbished Victorian warehouse, overlook the gray and blustery Mersey River; it is a vista that conjures the sailing ships, hard-nosed traders, sailors, African and Asian servants, and runaways who journeyed to Africa.

But rather than focus on the local story, Richard Benjamin, who directs the new museum and is a Briton of Guyanese descent, takes a different tack. Under his guidance, some of the museum exhibits thrust the visitor directly into the cultures of West Africa, emphasizing that many slaves came from a proud heritage that continues to thrive. Its aim is to be an educational institution rather than primarily a repository of important artifacts.

Full article here.

Source