Ingrid Pollard’s work on display at Staying Power: Photographs of Black British Experience 1950s-1990s

Source: V&A Museum

Ingrid Pollard

Ingrid Pollard

Ingrid Pollard, from the series ‘Self Evident’. Museum no. E.327-2013. © Ingrid Pollard/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Ingrid Pollard was born in Georgetown, Guyana in 1953 and moved to England when she was four years old. Since then she has lived in London working as a photographer, printer, media artist and researcher. She is a graduate of the London College of Printing and Derby University. In the 1980s she was part of a group of black British women artists who exhibited their work together in exhibitions like The Thin Black Line at the ICA in 1985. Pollard was also part of significant collaborative ventures between black British photographers, including Polareyes, D-Max and the Association of Black Photographers (now Autograph ABP), of which she was a founding member.

Pollard became interested in photography when she took her father’s box camera on a camping trip. Some of her first photographs were of the sewage works and wood yards along the Lee Valley Canal, taken as part of an O-Level geography project. Pollard defines her work as ‘a social practice concerned with representation, history and landscape with reference to race, difference and the materiality of lens based media.’ Her photographic series such as Pastoral Interlude (1988) and Self Evident (1995) depict black figures in rural landscape settings.

See Pollards work on display at the V&A Museum in London.

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.

Photographer Jennie Baptiste on display – Staying Power: Photographs of Black British Experience 1950s-1990s

Source V&A Museum

Jennie Baptiste

Jennie Baptiste

Jennie Baptiste, ‘Ragga Crouching’, 1993. Museum no. E.973-2010. © Jennie Baptiste/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Photographer Jennie Baptiste was born in Northwest London in 1971, after her parents moved to the city from the Caribbean island of St. Lucia in the 1960s. She graduated from the London College of Communication Bachelor of Arts Photography course in 1994. Her photographs explore fashion and style as expressions of black British identity, often with a focus on music culture. She has photographed prominent hip hop artists such as P. Diddy, Jay Z and Mary J. Blige. Her work has been exhibited internationally and a selection of her photographs were included in the Black British Style exhibition held at the V&A in 2004.

See Jennie Baptiste’s work at the V&A Museum in London.

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.

British Jamaican photographer Maxine Walker – on exhibit at the London’s V & A

Source: V & A

Maxine Walker

Maxine Walker

Maxine Walker, from the series ‘Untitled’, 1995. Museum no. E.303-2013. © Maxine Walker / Autograph ABP/ Victoria and Albert Museum, London. Supported by the National Lottery through the Heritage Lottery Fund.

Born in 1962, British Jamaican photographer Maxine Walker lives and works in Birmingham. Her photographs raise questions about the nature of identity, challenging racial stereotypes. She contests photography’s documentary ability by replicating specific photographic styles, such as in her early series Auntie Linda’s House (1987). Her Black Beauty series from the 1980s and her untitled series for the ‘Self Evident’ exhibition in 1995 both utilise self-portraiture.

See her work at the Victoria & Albert Museum in London

Display: 16 February 2015 – 24 May 2015. Staying Power: Photographs of Black British Experience 1950s-1990s is a project to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.